Start from capacity, not competitors

Copying local pricing tells you nothing about whether your studio works, because their rent, staffing and machine count differ from yours. The only reliable starting point is your own cost per available class slot.

Total the fixed monthly costs — rent, insurance, software, base staffing, loan payments. Divide by the number of class slots you can genuinely sell in a month. That figure is the floor below which the studio loses money at full occupancy.

Fill rate is the variable that matters

No studio runs at 100%. A healthy mature studio averages 65–80% across the timetable, with peak slots full and off-peak much lower. Pricing that only works at 90% occupancy is pricing that does not work.

Build the model at 65% and treat anything above it as margin. This single adjustment prevents most pricing mistakes.

Illustrative economics, six-station studio
InputValue
Fixed monthly costs$14,000
Class slots per month240 (10 classes/day × 6 days × 4 weeks)
Spaces per class6
Total spaces available1,440
Spaces sold at 65% fill936
Break-even price per space$14.96
Realistic price point$25–$32

Structure beats discounting

Unlimited memberships smooth cash flow and raise retention, but they cost you peak capacity if unlimited members occupy the slots drop-ins would pay more for. Capped memberships — eight or twelve classes a month — usually produce better economics for small studios.

Class packs create a liability you have already spent. If you sell them, set an expiry and account for the deferred revenue properly.

Raising prices

Most studios underprice for too long and then raise abruptly. Annual increases of 3–5% announced a month ahead are absorbed almost without comment; a 20% jump after four years is not.

Grandfathering founding members through the first increase is cheap loyalty and worth doing deliberately.

Working the model backwards from your own costs

The calculation that matters is cost per available class space. Total your fixed monthly costs, multiply your class slots by the number of spaces per class, apply a realistic fill rate, and divide. That gives the price below which you lose money — everything above it is margin and error tolerance.

Doing this before signing a lease is the single most useful hour in the whole process, because it exposes an unaffordable rent faster than any other calculation.

What different structures do to the economics

Each pricing structure trades cash-flow predictability against peak capacity, and small studios feel that trade-off more sharply than large ones.

Pricing structures compared
StructureCash flowPeak capacityBest for
Drop-in onlyUnpredictablePreservedNew studios finding demand
Class packsFront-loaded, deferred liabilityPreservedMixed-frequency clients
Capped membershipPredictableMostly preservedMost small studios
Unlimited membershipVery predictableConsumed by heavy usersLarger studios with spare capacity

Raising prices without losing members

Annual increases of 3–5%, announced a month ahead, are absorbed almost without comment. A 20% jump after four years of holding prices is not, and it produces exactly the cancellation wave owners fear when they consider raising at all.

Grandfathering founding members through the first increase costs little and buys genuine loyalty. After that, bring everyone onto the same schedule.